| PRIVATE STRANGER | |
| is an ongoing inquiry on individual and collective memory, cultural imprint
and social patterns |
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| ©Frauke Frech | |
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PRIVATE STRANGER is about encounters with strangers. In the subway, at dOCUMENTA(13), in an Art-Hotel and a private bathroom. My only condition is to ask what interests me, without any restriction. All the stories that have been entrusted to me, entered my memory and as I report them, I forget if I have experienced them or not. performed at: Art-Hotel Charlottenburger Hof in a single room Mitte | Ecke, Berlin in a private bathroom | |
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>PRIVATE STRANGER - 1st collection |
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SARAH SAYSSARAH SAGT - a performance with text, tape, and dance (2012) | |
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| ©Frauke Frech | |
A bilingual performance about the struggle with origins and the construction of identity. Who am and who may I become when familiar structures have broken down? Fragile relations and symbiotic conflicts increase between the spoken and what remains unsaid. CONCEPT | PERFORMANCE Frauke Frech TEXT Lia Nirgad & VIDEO-COPYRIGHT ©Theaterverlag Hofmann-Paul, Berlin LIGHT | SOUND Arne Schmitt VOICE Lia Nirgad COOPERATION Gabi Beier, Julia Kapelle COSTUME Marianka Benesch Special thanks to: Lydia Zechelius, Klaus Janek ![]() Funded by the Governing Mayor of Berlin performed at: ada Studio | Uferstudios Berlin >documentation |
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0,97x1,12x2,84m (2009 - 2011) |
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| installation | live video-performance |
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| © Arne Schmitt | |
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Which space can be discovered by movement in limitation? installed and performed at: | |
| >documentation | |
| s e n s o r p i e c e | kleberaumumbau (2011) | |
| performance | 45 min. |
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| ©Sven Wied | |
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| ©Arne Schmitt | |
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A spatial surgery with tape, movement, and noise performed at: | |
| >documentation | |
| op#2 – resolution (2008) onsite- | online-performance | 8 min.
In between desk, chair and walls I'm
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| © Virginie Otth | |
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| © Sandra Pointet | |
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performed at: | |
| >documentation | |
| MYLIVE. (2007) | |
| performance | video | 12 min. |
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| ©Janna Rönnau | |
I'm conditioned by a notebook, a chair and a table. The purpose of my actions is to generate video and sound with the webcam. In order to give an insight into my emotions corresponding to the situation: I'm physically and spatially isolated throughout my obsession with the computer. I control my notebook to substitute a missing person. Communication as compensation. performed at: | |
| >documentation | |
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